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	<title>james mcnally</title>
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		<title>Note to Otaku</title>
		<link>http://jamesrmcnally.com/2012/11/note-to-otaku/</link>
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		<pubDate>Sat, 10 Nov 2012 20:40:08 +0000</pubDate>
		<dc:creator>jamesy</dc:creator>
				<category><![CDATA[Shit People Wear]]></category>

		<guid isPermaLink="false">http://jamesrmcnally.com/?p=23508</guid>
		<description><![CDATA[Hi World &#8211; people have been asking me about the status of this blog, so a quick explanation: There is no longer a need for a person like me to hunt images and make an archive of Japanese labels.  The &#8230; <a href="http://jamesrmcnally.com/2012/11/note-to-otaku/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Hi World &#8211; people have been asking me about the status of this blog, so a quick explanation:</p>
<p>There is no longer a need for a person like me to hunt images and make an archive of Japanese labels.  The impact of these labels is established &#8211; many have broken well into the mainstream.</p>
<p>High-craft Japanese labels are comfortable in US accounts.  The outdoorsman, railroad, tech sherpa, workwear, punk etc etc etc influences are well represented globally by the Japanese labels that pioneered them.</p>
<p>Mass media (Hypebeast et. al.) and mainstream retail all provide enough of a window &#8211; they won&#8217;t offer the newest or most obscure, but blogging about this microniche is now less about discovery and anthropology, and more of a trend-hunting activity.  It&#8217;s better suited to retail buyers and designers.  Which are both fine professions, but not my job.</p>
<p>There will always be further to dig though, and without digging, you will not find the #veryrare.</p>
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